Preston Reed - 1997 Ovation Adamas Custom Made Longneck electro-acoustic guitar, made in USA, ser. no. 12397, blue/green sparkle finished top, within original custom fitted hard case; The second of three longnecks made for Preston Reed at the Ovation factory. This was Preston's main touring and recording instrument for fourteen years. Much of his development as an artist , including the entire album 'Handwritten Notes', happened on this guitar See: https://www.youtube.com/watch?v=8avQ7NlcqEo https://www.youtube.com/watch?v=356ViUx1Ktc https://www.youtube.com/watch?v=H3WrtmMup18 In 2009, whilst on tour in Brisbane, Australia, the guitar suffered a fall on stage resulting in a neck break. Luckily the break was clean and was expertly repaired with splints and glue at a nearby guitar shop. The repair was so well done that it is nearly undetectable. The guitar had another stage accident later on that resulted in a small crack to the fiberglass near the output jack. This does not affect the playability or sound Preston Reed collaborated with Ovation in 1996 to design and build a guitar that would lend to his innovative percussive fingerstyle approach. The custom appointments on this guitar, as featured on his other two longnecks addressed the following issues: - The need for a pickup system that would register percussive sounds on the guitar's body, solved by incorporating a Seymour Duncan SA-2 as a second pickup. This, combined with the Ovation bridge Piezo, was the first issue that needed to be worked out when Preston signed on with Ovation. Bill Hudak, the Ovation tech at the time modified the existing 'OptiMax' system to work as a blender between the two pickups - The need for a 'hole-free' surface on the upper bout to allow for left hand percussive strikes. This was accomplished by not having the typical Ovation sound-holes to the top and instead having decorative black circles - Altering the decorative ridged binding on the top edge of the standard Adamas models, which caused abrasion to the right arm. This was solved by adding a smooth top edge - Preventing the neck from drooping down whilst playing stood up. This was solved by adding a counterweight to the inside rear of the guitar. - Moving the position of the front part of the guitar strap so it would not hamper left hand percussive movements. This resulted in moving the strap button to the base of the guitar neck rather than the heel A further unique feature to the guitar is a specially made fiberglass back rather than the usual 'Lyracord' for an improved sound This guitar differs slightly from Preston's first coral red longneck having a sparkle finish and a more flush top edge This guitar, like Preston's other longnecks, works perfectly well as 'normal' guitars and with the special electronics and fiberglass back, has an enhanced sound when compared to a standard Adamas. Bill Kaman (head of Ovation and originator of the longneck) recently expressed that the Adamas longneck is a 'rare animal', which makes this and the other three longnecks customised, improved, special exotic and one-of-a-kind instruments. Preston Reed, born in 1955 in Armonk, New York, is a renowned and influential American fingerstyle guitarist, known for his innovative percussive style. Since 1979 he has released seventeen critically-acclaimed albums and performed countless times across six continents. He invented integrated percussive guitar playing in the late 1980's, revolutionising the way the acoustic guitar is played and inspiring generations of musicians around the world ever since. Employing multi-voiced grooves, polyrhythmic percussion and story-telling compositions, Reed's visionary approach fully exploits the breath-taking orchestral potential of the acoustic guitar. His long teaching experience includes The Swannanoa Gathering, where he taught Kaki King, his own week-long workshops in Scotland, attended by many over the years including Ed Sheeran, and his recent masterclass at Berklee College of Music. His 1994 instructional video, The Guitar Of Preston Reed: Expanding The Realm Of Acoustic Playing continues to set today's and tomorrow's top players on the path to developing their own musical voices on the instrument. See Prestonreed.com Ask a Question

• Auction Details